The latter is especially significant as it helps him further his argument about the connivance of women by instituting the metaphor of mermaids whose music the poet wants to hearmythical creatures who are women from their waists upwards, but which have powers to enchant and lure unsuspecting men to the depths of the waters, where they would meet their deaths.
But his mood is lightened with a jesting, fun-making approach that both laughs and lashes. In the last stanza, the speaker asks his listener to inform him if he ever finds such a woman.
By means of arguments and analogies, no doubt framed wittily enough, he reaches his central assertion that fair and faithful women are real. The first stanza introduces a plethora of near-implausible tasks, and by employing a series of elaborate conceits, the narrator likens the woman, who is the embodiment of virtuousness, fairness and truth, as being unattainable in reality, or being non-existent.
It reveals definitely a sceptical and cynical frame of mind that taunts and debunks the nature of a fair woman. The subject matter is, no doubt, grave — the inconstancy of women.
Again, the metaphysical imagery, drawn quite precisely, from a wide field of mythology, Christianity and legends, is more prosaic and commonplace than emotional and elegant. No fair women can be fair in attachment and devotion.
Go and catch a falling star Metaphysical intellectualism turns poetic impulsiveness into prosaic logicality. By shortening the lines, he emphasizes this defeatist or cynical conclusion that things such as an honest mind and a true and fair woman are impossible: Characteristics of Metaphysical Conceits The metaphysical poetic style exhibits precision.
He uses more poetic exaggeration, saying that even if she was found nearby, by the time his friend wrote the letter to him telling of her beauty and faithfulness she would have betrayed two or three men.
Though she were true when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three. Go and catch a falling star, Get with child a mandrake root, In the first stanza of this dramatic monologue or love poem, the speaker addresses an unknown listener.
Women, had been for centuries regarded as vile creatures, unfaithful and capable of causing much havoc both in the realms of the hearth as well as in the extrinsic realm, howsoever little agency she could exercise in the world. It is connected with women, but is not a poem on womanly love or love for women.
The feeling in this poem, however, is that the speaker is a young man.
The tone instantly becomes conversational and personal. Following the first stressed syllables "Go" and "Get"note the iambs.
The misogynistic condemnation in this poem stands in stark contrast to the Petrarchan idealization of the feminine sex in his sonnets, culminating almost in a space of impossible desire. But in all these cases, the poet bears out a lively mood fun and mockery to make his song diverting, rather than coldly didactic.
Traditionally, the falling star is an emblem of good omen. The song also represents the metaphysical mood that combines, as noted already, the serious and the light.
The propositions in the first stanza are the impossible challenges, the strange things his listener might see in a lifetime of journeys 2nd stanzaand the possibility of finding a true and fair woman 3rd stanza.A Short Analysis of John Donne’s ‘Song’ (‘Go and catch a falling star’) May Posted by interestingliterature.
A summary of an unusual Donne poem ‘Song’, often known by its first line, ‘Go and catch a falling star’, is an unusual poem among John Donne’s work in.
This expression could've just as easily been the title of John Donne's poem, 'Song,' which was written during the 16th century. The poem's first line, 'go.
Go and catch a falling star, Get with child a mandrake root, False, ere I come, to two, or three. Poetry Out Loud Note: In the print anthology, this poem is titled simply "Song." The student may give either title during the recitation.
Go and catch a falling star, Get with child a man drake root, In the first stanza of this dramatic monologue or love poem, the speaker addresses an unknown listener. Transcript of "Song: Go and Catch a Falling Star" Poem Analysis. "Song: Go and Catch a Falling Star" By John Donne Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Theme- Its impossible to find true love.
Full transcript. The theme of John Donne's poem "Goe, and catche a falling starre" is bitterness at a love betrayed. The speaker invites the reader to try doing impossible things, saying that even if .Download